Black Ops Episode 15 – What Do You Think Alan Moore Did? [CLIP]

In our new episode, exclusive to our Patreon supporters, Greg Hatcher rejoins us for a free range conversation.

We chat a bit about Trek, the character of Captain Kirk and why it can be a gift when fictional characters age along with their actors.

We try to navigate the labyrinth of public domain laws to fruitlessly try to figure out what you can and cannot do with with new adaptations of Sherlock Holmes, the Lone Ranger and the Land of Oz, and whether being public domain has produced better material.

And finally, we wax nostalgic for a bygone time when “grim and gritty” was new, and when Alan Moore blew the comic industry’s collective mind by doing a post-modern adult interpretation of a British superhero aimed at children.

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Black Ops Episode 6 – The World Outside of Travis Bickle’s Car

In an episode exclusive for Patreon patrons, we look at the perhaps-necessary anachronism of period stories where the protagonist has strangely modern social attitudes. Does anyone really want the cowboy you play in a video game to be casually racist for the sake of accuracy?

And we look at the way that outlier characters like Jonah Hex, John Constantine, and the Punisher nominally co-exist in a shared universe that they’re mostly incompatible with.

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Episode 29 – Vertigo Comics

“Magic’s just when you trick the universe into believing some incredibly outrageous lie.”

Mike and Casey hop into Chas’ cab for a journey to the realm of Dreams, because it’s time to go on a road trip across America. Our traveling companions, librarian Kit DeForge and Joe Preti from the View from the Gutters podcast.

This month we dig into the Vertigo line of mature-readers comics from DC. From its inception with Karen Berger’s editorial work with Alan Moore on Swamp Thing in the 1980s through massive hits like Sandman, Preacher, Fables and 100 Bullets, we dissect some of the most influential, critically acclaimed and popular comic books of the past thirty years.

Is Vertigo dead, even if its spirit for creator innovation and quality live on at other publishers?

Music: 
“Main Theme” from Constantine (2014) by Bear McCreary

Previously titled: “Make Comics Great Again”