We chat a bit about Trek, the character of Captain Kirk and why it can be a gift when fictional characters age along with their actors.
We try to navigate the labyrinth of public domain laws to fruitlessly try to figure out what you can and cannot do with with new adaptations of Sherlock Holmes, the Lone Ranger and the Land of Oz, and whether being public domain has produced better material.
And finally, we wax nostalgic for a bygone time when “grim and gritty” was new, and when Alan Moore blew the comic industry’s collective mind by doing a post-modern adult interpretation of a British superhero aimed at children.
Casey loves science fiction, but has grown tired of the ubiquity of sci-fi that treats dystopia, calamity and apocalypse as inevitability. What happened to looking for positive alternatives and aspirational worlds in our genre media?
Is it a symptom of our inability to imagine that we can overcome the things that make the modern world a scary place, and instead just imagine futures where our problems are exactly the same, or just amplified?
We continue our talk with Sam Mulvey and dig into the questions that try men’s souls. We ponder the repeated use of various firearms in movies, and why laser weapons aren’t nearly as numerous these days.
We dive into the insane and definitely-not-okay animal stunt work of movies past, and marvel at how Donald Pleasence’s pain threshold can be so impossibly high. Plus, we asked our Patreon supporters about their stupid childhood fears, and more!
In an episode exclusive to Patreon supporters, we continue to shake our canes at Hollywood blockbusters, spin offs, crossovers and shared universes, as Mike explains his rocky relationship with Fear the Walking Dead.
What motivates the creation of a spin-off? Are they doomed to be pale imitations? Is the massive blockbuster franchise bubble heading for a burst?
To hear the episode, subscribe to us on Patreon and pledge at least one measly dollar a month!
From Doctor Who to Highlander, we look at the trope of the ageless person who mourns their own lack of death and ask each other, is the trope of sad immortal nothing but bullshit? Shouldn’t never dying actually be pretty great?
We get into armchair biology, the continuity of consciousness, loneliness, the ability (or inevitability) of change over time, theological questions, muse on transhumanism and the ability to opt out of immortality at any time.
Does death serve any useful purpose? Are we really the same person throughout our lives? Would you really want to live for thousands of years. Would you really be sad or grumpy if you had all the time in the world? Aren’t vampires really kind of stupid?
Who, truly, would want to live forever?
This and three other “Black Ops” will available to all Patreon subscribers who donate at least one dollar a month! Check it out!