Episode 38 – Return to Oz

An all-new adventure down the yellow brick road.

In our latest Single Serving Selection, we return to the Emerald City and dig into some nostalgic childhood nightmare fuel with librarian and friend of the show, Kit DeForge. This month’s topic is Disney’s weird and often terrifying continuation/quasi-sequel to the 1939 MGM classic: Return to Oz.

Dorothy Gale finds herself back in the Land Oz, after being rescued from a mental hospital by a mysterious girl. She finds the yellow brick road is crumbling, the Emerald City is in ruins, and its people turned to stone. Now, with a new group of strange companions, Dorothy must defeat both the villainous Nome King and the evil witch Mombi, rescue the Scarecrow, and restore an exiled princess to the throne.

Because all of the best children’s movies have body horror in them.

Episode 21.5 – The Robots Disagree with You, Edgar Wright!

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In the aftermath of our Twin Peaks panel, we’re joined again by Roz Townsend and Pól Rua for a continued discussion about how awesome actor Miguel Ferrer is. We also dive into how Twin Peaks‘ Pacific Northwest setting is very familiar to our Seattle-area panelists, and how the show influenced a decade of television.

We get into automated fansourcing of our entertainment, why Godwin’s Law demands you support the arts, and the British science fiction series, Blake’s 7.

Also, Mike argues with a folksy robot.

Episode 13 – Blade Runner

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We’ve….seen things you people wouldn’t believe!

Mike and Casey fire up our Spinners, and blast off to great new lives in the Off World Colonies with Sci-Fest L.A.‘s Matt Goodman, and writer Micah Krabill! This month we’re talking about 1982’s Ridley Scott sci-fi classic: Blade Runner!

Join us as we discuss how a financially disastrous art film about a future cop hunting androids went on to become a major cult favorite, and one of the most culturally influential science fiction movies of all time. We talk about the nature of humanity and artificial life, the proper pronunciation of the word “robot,” the morality of Rutger Hauer’s Roy Batty, and which of the film’s multiple versions is its most definitive.

Music: 
Memories of Green/End Title Theme” from Blade Runner by Vangelis

Previously titled: “A Sandwich from the God of Biomechanics”