In our latest Single Serving Selection, we return to the Emerald City and dig into some nostalgic childhood nightmare fuel with librarian and friend of the show, Kit DeForge. This month’s topic is Disney’s weird and often terrifying continuation/quasi-sequel to the 1939 MGM classic: Return to Oz.
Dorothy Gale finds herself back in the Land Oz, after being rescued from a mental hospital by a mysterious girl. She finds the yellow brick road is crumbling, the Emerald City is in ruins, and its people turned to stone. Now, with a new group of strange companions, Dorothy must defeat both the villainous Nome King and the evil witch Mombi, rescue the Scarecrow, and restore an exiled princess to the throne.
Because all of the best children’s movies have body horror in them.
We continue our talk with Greg Hatcher and dive into the world of comic books and beyond!
We reminisce about Marvel’s 1970s misfit superhero team, the Defenders, and an absolutely batshit tale from writer Steve Gerber that includes stolen brains, absurd body horror, elves with guns, and the soul of an evil wizard trapped in the body of a baby deer!
Plus, we look at the strange turn that comic book scribe Mark Millar’s work has taken in his new series Huck, which is a radical departure from his regularly shocking, cynical and violent stories.
We talk about fan entitlement and the ups and downs of finite vs. ongoing storytelling.
The bad news is that due to a technical snafu, we won’t be able to share a new full episode with you this month. The good news is that we were joined in the studio by Sam Mulvey for a wide ranging conversation about random goodness — and badness.
We dive into a talk about why we’d like to see filmmaker Quentin Tarantino tackle a science fiction film, and the recent wrongful framing of Pepe the Frog as a racist icon. We also talk about why it’s just weird to pull your pants all the way down to pee at a urinal, and we compare the highs and lows of Zack Snyder and Frank Miller.
Plus, Sam hates movies! We look at the state of current Hollywood blockbusters and ask: does every theatrically-released movie in the world have to be so damned big?
Criminals are superstitious and cowardly lot, so Mike and Casey are joined in the Batcave to compare case notes with our friend Pól Rua, and first-time panelist, Joe Preti of the View from the Gutters podcast. Our topic, DC Comics’ Caped Crusader, Batman.
We dig into the character’s ridiculous versatility and unique ability to upend the normal rules for the suspension of disbelief. From the campy do-goodery of Adam West to Frank Miller’s dark avenger of the night, we discuss the wide range of tone and genre that the character has had in his seven decades of publication.
This is the podcast you deserve, but maybe not the one you need right now.
On one of our last Fun Sized episodes, Mike announced the first Radio vs. the Martians! “non-test.” It’s like a contest, just without prizes or promotion, because of our crippling fear that no one would actually enter it.
Thank you for proving Mike wrong!
So, we wanted to see your Frank Miller-style reinterpretations of childhood favorites and all ages media characters.
In the first of a pair of Fun Sized episodes this month, we sit down in the studio with Roslyn Townsend to get extra meta-topical. We talk about the phenomenon of “misdirected fandom.” Why do some fans not seem to understand or even deny that characters like Breaking Bad‘s Walter White or Watchmen‘s Rorschach have ever crossed any ethical lines?
Are all interpretations of fiction and art valid? Can a property’s fans’ behavior make it hard to enjoy? Can an artist’s views or behavior overshadow their work?
We also dig into the world of 1970s science fiction where everyone wears a cape, all hair is big, and everything is brown.
It’s B-roll time, as we wrap up the Watchmen discussion with Sam Mulvey and Rob Kelly.
We get a little bit more into why Zack Snyder’s movies fail — and why they also don’t fail enough to be fun or interesting. We talk about Uwe Boll’s recent crowdfunding meltdown, Steve Ditko’s Objectivist superhero, Mr. A, and why you should be able to hear criticism of your favorite things like a grown-up.
We talk about the possible consequences of Disney’s purchases of Marvel and Lucasfilm, and wonder how truly terrifying it would be to have to repossess the American Nazi Party’s “Hate Bus.”