Fun Size Episode 28 – The Wilhelm Scream of Star Wars Movies

We continue our chat with Patrick Johnson, and finally give our mixed opinions on the latest Disney opus, Solo: A Star Wars Story. We go over the promise and the pitfalls of the prequel concept and ask ourselves what we really wanted from this movie.

We talk about a recent internet rabbit hole: a legendary and notorious New Jersey water park that many have called the most dangerous amusement park ever: Action Park. It had a cascade of bloody noses, a lax policy of selling alcohol to minors and a confirmed body count. So why do many of the people who grew up going there as kids, both openly admit its dangers while remembering it with such warm affection?

And what stupid thrills will a human being subject themselves to in the cause of ending boredom?

Plus, we can’t recommend the horror movie, A Quiet Place, more highly. Seriously, it’s really good.

Fun Size Episode 27 – Not My Luke Skywalker!

Who truly owns a piece of art, a character or a media franchise? The artist, or the audience? We sit down with Sean Duncan to seek the answer to that and many other questions.

We (finally) talk about Star Wars: the Last Jedi and the tug-of-war between fans who want the familiar comfort of wish fulfillment and fan service, and those who want to see the series take some serious risks, even if it alienates some of the fans.

We look at how the real world and the context of our own experiences color and supplement the way we receive and interpret art. Plus, is it time to retire the old ways of counting audience figures, when there are so many ways to watch, read, and play these days? Uh, yes.

Episode 25 – Don Bluth

AnAmericanTail

“…There are no cats in America!…”

Mike and Casey manage to escape dog heaven and set out for the Great Valley. Their traveling companions? Ask an Atheist‘s Rebecca Friedman and Joe Preti of the View from the Gutters comic book podcast. This month we’re talking about America animator, Don Bluth.

From his apprenticeship at the Walt Disney company, to striking out on his own with critical darling in the Secret of NIMH, to conquering the box office alongside Steven Spielberg with An American Tail and the Land Before Time.

We dig into Bluth’s trademark darker tone, his craftsmanship and attention to detail, his move into the world of video games, and how for a brief period of time…he managed to beat Disney at their own game.

Music: 
“End Credits” from the Land Before Time by James Horner

Previously titled: “There Will Be No Second Disney”

Episode 20.5 – I’ve Been Peeing Into a Jar This Whole Time

MrA

It’s B-roll time, as we wrap up the Watchmen discussion with Sam Mulvey and Rob Kelly.

We get a little bit more into why Zack Snyder’s movies fail — and why they also don’t fail enough to be fun or interesting. We talk about Uwe Boll’s recent crowdfunding meltdown, Steve Ditko’s Objectivist superhero, Mr. A, and why you should be able to hear criticism of your favorite things like a grown-up.

We talk about the possible consequences of Disney’s purchases of Marvel and Lucasfilm, and wonder how truly terrifying it would be to have to repossess the American Nazi Party’s “Hate Bus.”

Episode 11 – Hayao Miyazaki

Totoro

Mike and Casey hitch a ride on the Catbus with our friend Roslyn Townsend and animator and storyboard artist Lauren Montgomery (Justice League: Doom, Wonder Woman) to talk about the legendary animator who is often referred to as “Japan’s Walt Disney,” Hayao Miyazaki.

They discuss Miyazaki’s decades-long filmography from Princess Mononoke to My Neighbor Totoro. They dive into topics like giant killer insects, nature spirits, witches, animated violence, children, and what it is about the man’s work that is so iconic, memorable, gorgeous and often unsettling.

Music: 
Theme from My Neighbor Totoro by Joe Hisaishi

Previously titled: “All Children are Born Completely Drunk”