Tag Archives: spider-man homecoming

Fun Size Episode 46 – Quarantine Titans

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We’re back! Sort of…

In a special remotely-recorded quarantine edition of the show, we sit down with Joe Preti of the View from the Gutters comic book podcast to pine for long lost sources of food, like the cafeteria at Joe’s work and a couple of local sandwich shops.

We ask: has the quality of McDonald’s food gotten worse since we were kids, or were we blinded by a child’s epicureal standards? Has junk food in general gotten worse?

We also talk about how good Adam Sandler movies could be if only he tried. And Batman v. Superman comes up, and… we just can’t not.

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Episode 39 – Spider-Man

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“Spins a web, any size. Catches thieves, just like flies.”

This month, we’re web-slinging through New York with the Fire and Water Network‘s Ryan Daly and Tobiah Panshin of the House of Jack and Stan podcast. We’re climbing the wall over Marvel’s revolutionary and relatable comic book hero: the Amazing Spider-Man!

From his beginnings in a cancelled anthology comic by Stan Lee and Steve Ditko in 1962, Spidey has exploded into multimedia superstardom, and changed the superhero genre forever. He’s headlined literally thousands of comic book issues, seven feature films, and countless animated shows. He’s been a company mascot, a parade balloon, a breakfast cereal, a cartoon pig, and even the star of his own failed Broadway musical.

We dig into all things pertaining to the web-head, try to figure out if the Daily Bugle is a reputable news source, and try to answer that question: is Spider-Man hero, or menace?

Music: 
“Main Titles/Costume Montage” from Spider-Man (2002) by Danny Elfman

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Fun Size Episode 35 – My Boss is Trying to Kill Matt Damon

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We’re back with a Frankensteinian Fun Size double feature!

First, we continue our chat with Kit Laika, where a discussion about Lords of Chaos, the recent semi-fictional Norwegian death metal movie, leads into a talk about how music biopics in general — and Bohemian Rhapsody, specifically — usually aren’t….very good.

Then we talk to Greg Hatcher about how the history of television shows didn’t include dedicated series finales until the Fugitive in 1967, and we look at the mixed results of shows that tried to continue after losing their lead actors.

Plus, we look at the trope of the characters who exist solely in high tech control rooms with hundreds of screens.

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