Episode 48 – Sin City

“I grab myself one last lungful of night air. Then I trade it in for a smoky soup spiced with sweat and vomit and booze and blood. I know the flavor well.”

After more than two years, we’re back with another panel episode! And this month, we’re tossing back some cheap booze at Kadie’s Saloon and making some bad decisions with Joe Preti, and Kit Laika, and get our filthy mitts on Frank Miller’s hyper-stylized, two-fisted neo-noir comics franchise that defined all things grim and gritty in the 1990s: Sin City!

After a rise to comics superstardom with Daredevil and Batman, Frank Miller turned his trademarked hard-boiled style up to eleven with a series of interconnected hyperbolic crime stories, set in the fun house mirror world of Basin City, a desert town populated entirely by lowlifes, mobsters, prostitutes, corrupt businessmen, assassins, creeps, killers, crooked cops, dirty politicians, and one hulking unkillable brute named Marv.

Illustrated in a stunning highly contrasted black and white, Sin City was a perfect distillation of everything comics readers loved and hated about the comics of a controversial and often problematic master of the craft.

Music: 
“Cool Vibes” from Film Noire by Kevin MacLeod

Black Ops Episode 1 – Real Sociopaths Work for Goldman Sachs [DECLASSIFIED!]

[As we continue our show hiatus, it has been decided by the fine people who support us on Patreon that we are going to make public — or ‘declassify’ — one of our Patreon-exclusive Black Ops episodes every month. This month, our patrons have personally selected this episode to help fill the gap! Consider it a look back at the ‘Before Times’]

Original Patreon release date: July 1, 2016

Here is the very first of our special, off-the-books “Black Ops” episodes, recorded back in January of this year with guest Greg Hatcher!

We dig into how morally abhorrent a fictional protagonist can be and not lose your sympathy. And catapulting past our ethical thresholds, we look at the horrific morality of Jack Bauer’s Bush-era enthusiastic torture-palooza!

Plus, we throw a little love at the anti-fascist satire of Paul Verhoeven’s Starship Troopers.