Black Ops Episode 16 – An Infinite Loop of a Second Act [CLIP]

In our new episode, exclusive to our Patreon supporters, we talking about endings!

First, we want your opinion on a very important Patreon crowdfunding question!

We chat a bit about Henry Cavill taking on the lead role in a Netflix Witcher series, and why Disney should make one less live-action remake and do some good in the world!

And finally, we look at recent pop culture endings — Game of Thrones, Avengers: Endgame, Deadwood, the Walking Dead comic book, and the Fox X-Men franchise — and look ahead to future endings with Quentin Tarantino’s to-be-produced tenth and final film.

What stuck the landing, and what left us cold?

To unlock this episode in its entirety — and many episodes more! — just support us on Patreon with at least one measly dollar a month!

Join us!

Fun Size Episode 13 – A Digital Effects Orgasma-Ganza

sodense

The bad news is that due to a technical snafu, we won’t be able to share a new full episode with you this month. The good news is that we were joined in the studio by Sam Mulvey for a wide ranging conversation about random goodness — and badness.

We dive into a talk about why we’d like to see filmmaker Quentin Tarantino tackle a science fiction film, and the recent wrongful framing of Pepe the Frog as a racist icon. We also talk about why it’s just weird to pull your pants all the way down to pee at a urinal, and  we compare the highs and lows of Zack Snyder and Frank Miller.

Plus, Sam hates movies! We look at the state of current Hollywood blockbusters and ask: does every theatrically-released movie in the world have to be so damned big?

Episode 19 – Quentin Tarantino

Tarantino

 We’re gonna get medieval on your asses!

This month, Mike and Casey pile into a booth at Jack Rabbit Slim’s to debate the merits of tipping our server with Sci-Fest L.A.‘s Matt Goodman and writer and artist Roslyn Townsend. Our topic of discussion: Quentin fucking Tarantino.

We dig into the writer-director’s visual style, his penchant for creating violent films with compelling characters, and his talent for resurrecting dead careers. From Pulp Fiction and Jackie Brown, and from Kill Bill to Django Unchained, Tarantino and his movies are awash with copious profanity, critical praise and controversy.

Music: 
“Misirlou” from Pulp Fiction  by Dick Dale and the Del Tones

Previously titled: “Let’s Do a Bunch of Coke and Make a Movie”