Episode 26 – A Noir Carnival of Fright and Insanity

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You’ve gotta ask yourself one question: ‘Do I feel lucky?’ Well, do ya, punk?

Mike and Casey sit down with Pól Rua and Greg Hatcher of Comic Book Resources’ Comics Should Be Good blog, for a comprehensive and thoughtful discussion of urban crime and its many complicated causes.

And we talk about how pulp novels and grindhouse cinema recommends fixing these problems. Namely, angry middle-aged men with oversized handguns.

This month, we’re talking about urban vigilante fiction. Hyper-violent anti-heroes pumping thousands of rounds of ammunition into scumbags and drug dealers. From Dirty Harry to Death Wish; from the Punisher to Mack Bolan, we’re digging into the vigilante genre, and asking ourselves: why do bleeding heart liberals like us enjoy this stuff?

Music: 
“Getting Into Shape / Listen You Screw Heads / Gun Play” from Taxi Driver by Bernard Herrmann

Fun Size Episode 7 – Chickens. They Are a Taciturn Bunch

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Mike and Casey continue their chat with Rebecca Friedman and Joe Preti, and they chew the fat about porno Mahjong, how the weirdest things end up at used bookstores, and why we just can’t stop thinking about nunchucks.

We also dig into the contrast of Tom Cruise and Keanu Reeves, why Mike really really really doesn’t like the new Ghostbusters trailer, and why people keep getting Superman wrong.

Episode 19 – Let’s Do a Bunch of Coke and Make a Movie

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 We’re gonna get medieval on your asses!

This month, Mike and Casey pile into a booth at Jack Rabbit Slim’s to debate the merits of tipping our server with Sci-Fest L.A.‘s Matt Goodman and writer and artist Roslyn Townsend. Our topic of discussion: Quentin fucking Tarantino.

We dig into the writer-director’s visual style, his penchant for creating violent films with compelling characters, and his talent for resurrecting dead careers. From Pulp Fiction and Jackie Brown, and from Kill Bill to Django Unchained, Tarantino and his movies are awash with copious profanity, critical praise and controversy.

Music: 
“Misirlou” from Pulp Fiction  by Dick Dale and the Del Tones