Hex & Violence Episode 0 – Who is Jonah Hex?

HexandViolence

He was a hero to some, a villain to others… and wherever he rode people spoke his name in whispers. He had no friends, this Jonah Hex, but he did have two companions: one was death itself… the other, the acrid smell of gunsmoke.

In our series prologue, Mike and Casey get into their mutual love of a largely unknown comic book character: DC’s western anti-hero, Jonah Hex.

We get into the character’s origins, his lasting appeal and why this merciless bounty hunter with a hideous facial scar has outlived the genre that spawned him.

Episode 26 – A Noir Carnival of Fright and Insanity

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You’ve gotta ask yourself one question: ‘Do I feel lucky?’ Well, do ya, punk?

Mike and Casey sit down with Pól Rua and Greg Hatcher of Comic Book Resources’ Comics Should Be Good blog, for a comprehensive and thoughtful discussion of urban crime and its many complicated causes.

And we talk about how pulp novels and grindhouse cinema recommends fixing these problems. Namely, angry middle-aged men with oversized handguns.

This month, we’re talking about urban vigilante fiction. Hyper-violent anti-heroes pumping thousands of rounds of ammunition into scumbags and drug dealers. From Dirty Harry to Death Wish; from the Punisher to Mack Bolan, we’re digging into the vigilante genre, and asking ourselves: why do bleeding heart liberals like us enjoy this stuff?

Music: 
“Getting Into Shape / Listen You Screw Heads / Gun Play” from Taxi Driver by Bernard Herrmann

Episode 18.5 – Somebody Destroyed One of Roger Moore’s Horcruxes

Bond moore

In our latest collections of panel outtakes and off-topic discussion, Mike and Casey are joined by Greg Hatcher and Ryan Chaddock for a chat about the Logan’s Run television show and the formulaic nature of 1970s science fiction.

We compare the various Bond actors on their ability to dispense post-murder puns, and the pros and cons of grit versus camp. We try to get to the bottom of why Roger Moore continued to play 007 into his senior years, why bleeding heart liberals like us enjoy violent right-leaning vigilante fiction, and why the hell the spinoff Baywatch Nights even existed.