We continue our talk with Greg Hatcher and dive into the world of comic books and beyond!
We reminisce about Marvel’s 1970s misfit superhero team, the Defenders, and an absolutely batshit tale from writer Steve Gerber that includes stolen brains, absurd body horror, elves with guns, and the soul of an evil wizard trapped in the body of a baby deer!
Plus, we look at the strange turn that comic book scribe Mark Millar’s work has taken in his new series Huck, which is a radical departure from his regularly shocking, cynical and violent stories.
We talk about fan entitlement and the ups and downs of finite vs. ongoing storytelling.
In a wide-ranging conversation, Mike and Casey talk about whether Jabba the Hutt’s little monkey-rat creature, Salacious Crumb, is a person or a pet, and dig into the sort of bullshit rumors and urban legends that we both fell for in the pre-internet world of our middle school years.
We get into the recently-released Doctor Strange, and the question of diversity in the Ancient One’s casting, and well as the dearth of strongly written villains in the Marvel Cinematic Universe.
And finally, Mike really really wants to cast Dwayne “the Rock” Johnson in the next big cinematic blockbuster based on a children’s board game.
You’ve gotta ask yourself one question: ‘Do I feel lucky?’ Well, do ya, punk?
Mike and Casey sit down with Pól Rua and Greg Hatcher of Comic Book Resources’ Comics Should Be Good blog, for a comprehensive and thoughtful discussion of urban crime and its many complicated causes.
And we talk about how pulp novels and grindhouse cinema recommends fixing these problems. Namely, angry middle-aged men with oversized handguns.
This month, we’re talking about urban vigilante fiction. Hyper-violent anti-heroes pumping thousands of rounds of ammunition into scumbags and drug dealers. From Dirty Harry to Death Wish; from the Punisher to Mack Bolan, we’re digging into the vigilante genre, and asking ourselves: why do bleeding heart liberals like us enjoy this stuff?
It’s B-roll time, as we wrap up the Watchmen discussion with Sam Mulvey and Rob Kelly.
We get a little bit more into why Zack Snyder’s movies fail — and why they also don’t fail enough to be fun or interesting. We talk about Uwe Boll’s recent crowdfunding meltdown, Steve Ditko’s Objectivist superhero, Mr. A, and why you should be able to hear criticism of your favorite things like a grown-up.
We talk about the possible consequences of Disney’s purchases of Marvel and Lucasfilm, and wonder how truly terrifying it would be to have to repossess the American Nazi Party’s “Hate Bus.”
This month, Mike and Casey look at the inevitable result of truly popular culture: that it can and will not be contained by it’s original medium. Star Wars, the Planet of the Apes, and even Murder She Wrote have escaped the confines of film and television to reward their fans with series of books, comics and video games that feed our appetites for more stories in the worlds we love.
We’re joined by veteran panelist Roslyn Townsend and game designerRyan Chaddock to chat about the concept of the Expanded Universe! We debate canonicity and ask why we just can’t get enough of our favorite media franchises, no matter the format!
In an age where jocks wear T-shirts with Iron Man on them, and mainstream audiences pack theaters to watch three-hour adaptations of the Hobbit, the world has become a very different place for geeks over the last few years. Somehow, geekdom has become as mainstream as American football.
So Mike and Casey have posed the question to our listeners on the latest installment of Radio vs. the Mailbag: “What was the turning point that pushed geek culture into the mainstream of popular culture?”
We dig into your answers, and put the question to recent panelists Sam Mulvey and Roslyn Townsend to give us their thoughts on the matter.
And finally, Mike and Casey make an earth-shattering announcement that will forever change this podcast! Listen….if you dare!