Fun Size Episode 25 – Fuck You, It’s Hitler!

We continue our chat with friend Patrick Johnson to chat about some actor faces’ leave them with little choice but to be cast as villains, and how sometimes playing against type can be great.

We debate the merits of the new Duncan Jones Netflix feature, Mute. And then, we take a critical look at the new Bruce Willis-helmed Death Wish remake, and why this probably isn’t the best time to release it.

And finally, we are puzzled by the weird surge of conservative media voices and fans being horribly offended by what they see as the unfair treatment of Nazis, the KKK and racist characters as villains in popular entertainment. Our hot take? Nazis are fucking assholes.

Episode 26 – Vigilante Fiction

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You’ve gotta ask yourself one question: ‘Do I feel lucky?’ Well, do ya, punk?

Mike and Casey sit down with Pól Rua and Greg Hatcher of Comic Book Resources’ Comics Should Be Good blog, for a comprehensive and thoughtful discussion of urban crime and its many complicated causes.

And we talk about how pulp novels and grindhouse cinema recommends fixing these problems. Namely, angry middle-aged men with oversized handguns.

This month, we’re talking about urban vigilante fiction. Hyper-violent anti-heroes pumping thousands of rounds of ammunition into scumbags and drug dealers. From Dirty Harry to Death Wish; from the Punisher to Mack Bolan, we’re digging into the vigilante genre, and asking ourselves: why do bleeding heart liberals like us enjoy this stuff?

Music: 
“Getting Into Shape / Listen You Screw Heads / Gun Play” from Taxi Driver by Bernard Herrmann

Previously titled: “A Noir Carnival of Fright and Insanity”

Episode 24 – Batman

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“It’s an omen. I shall become a bat!”

Criminals are superstitious and cowardly lot, so Mike and Casey are joined in the Batcave to compare case notes with our friend Pól Rua, and first-time panelist, Joe Preti of the View from the Gutters podcast. Our topic, DC Comics’ Caped Crusader, Batman.

We dig into the character’s ridiculous versatility and unique ability to upend the normal rules for the suspension of disbelief. From the campy do-goodery of Adam West to Frank Miller’s dark avenger of the night, we discuss the wide range of tone and genre that the character has had in his seven decades of publication.

This is the podcast you deserve, but maybe not the one you need right now.

Music: 
“The Batman Theme” from Batman by Danny Elfman

Previously titled: “Batman, Motherfucker!”