Hex & Violence Episode 2 – Swamp Folk

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“I’m gonna show ya one last trick I picked up offa Cheyenne ‘afore I let you die in the kind of pain no white man has ever known.”

In our second episode, Mike and Casey follow professional badass Jonah Hex into our worst blue state nightmares, and a fictional trope that we never tire of: Murderous hillbillies.

First, we delve into an issue of Hex’s classic series in 1978’s Jonah Hex (vol.1) #12. In a story by Michael Fleisher and Vincente Alcazar, entitled “The Search for ‘Gator Hawes.” Wounded by an alligator during a search for a missing friend in bayou country, Hex is taken captive by a murderous backwoods family and is forced to fight his own friend to survive.

Then it’s back to the Louisiana swamp in 2006’s Jonah Hex (vol.2) #10 by Jimmy Palmiotti, Justin Gray, and Phil Noto, titled, “Gator Bait.” Jonah Hex is hired by a dying man to find rescue his wife and child from the savage Lamont family, killer swamp folk who even local law enforcement is afraid to confront. Escaping capture himself, Hex is wounded, unarmed, and looking for bloody revenge.

JONAH HEX CONFIRMED KILL COUNT: 32 (+9 this episode)

Hex & Violence Episode 0 – Who is Jonah Hex?

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He was a hero to some, a villain to others… and wherever he rode people spoke his name in whispers. He had no friends, this Jonah Hex, but he did have two companions: one was death itself… the other, the acrid smell of gunsmoke.

In our series prologue, Mike and Casey get into their mutual love of a largely unknown comic book character: DC’s western anti-hero, Jonah Hex.

We get into the character’s origins, his lasting appeal and why this merciless bounty hunter with a hideous facial scar has outlived the genre that spawned him.

Radio vs. the Mailbag: Rip Off!

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One of the harshest — and most common  — epithets in fandom is to label a work of media as a rip-off.

Star Trek: Deep Space Nine is a rip-off of Babylon 5!” “The Hunger Games is a rip-off of Battle Royale!” “Captain Marvel is a rip-off of Superman!” “The Island is a rip-off of Parts: the Clonus Horror!”

(Okay, that last one is definitely true.)

But not all derivative works are intrinsically inferior. Some actually transcend the quality of their media muses as pieces of art that stand the test of time.

So, dear listener, this month, we’re asking you:
“What derivative works of art are superior to the works that inspired them?”

Our hosts had this to say:
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