Episode 34 – American Movie

“There’s no excuses, Paul. No one has ever, ever paid admission to see an excuse. No one has ever faced a black screen that says: “Well, if we had these set of circumstances, we would’ve shot this scene… so please forgive us and use your imagination.”

In another of our Single Serving Selections, we’re going somewhere that the show has never gone before: non-fiction! It’s time to max out our credit cards and hassle our moms until they agree to play extras in our movie, because we’re being joined by Patrick Johnson for a discussion of the 1999 documentary, American Movie.

Telling the story of an aspiring filmmaker’s quest to create his dream project — by first completing the low budget horror movie that he had abandoned years earlier. Now, he struggles against a lack of funds, the hapless ineptitude of his friends and family, a burgeoning alcoholism, a lack of talent, and his own self-destructive personality to make something great.

But don’t worry. It’s alright, it’s okay, there’s something to live for. Jesus told me so!

Episode 19 – Quentin Tarantino

Tarantino

 We’re gonna get medieval on your asses!

This month, Mike and Casey pile into a booth at Jack Rabbit Slim’s to debate the merits of tipping our server with Sci-Fest L.A.‘s Matt Goodman and writer and artist Roslyn Townsend. Our topic of discussion: Quentin fucking Tarantino.

We dig into the writer-director’s visual style, his penchant for creating violent films with compelling characters, and his talent for resurrecting dead careers. From Pulp Fiction and Jackie Brown, and from Kill Bill to Django Unchained, Tarantino and his movies are awash with copious profanity, critical praise and controversy.

Music: 
“Misirlou” from Pulp Fiction  by Dick Dale and the Del Tones

Previously titled: “Let’s Do a Bunch of Coke and Make a Movie”