Episode 47 – F for Fake

“Do you think I should confess? To what? Committing masterpieces?”

In our latest Single Serving Selection, we’re joining librarian and artist, Kit DeForge to turn our critical eyes to the final film directed by auteur Orson Welles, a conventions-defying documentary about frauds, fakers, and art forgery: F for Fake.

Welles delves into the world of two (or is it three?) spectacular liars. One is Elmyr de Hory, notorious art forger who paints replicas of masterpieces so convincing that they’re said be hanging in many prominent museums, and even the original artists claim to have created them. The other is Clifford Irving, the novelist and writer who exposed Elmyr’s forgeries in a tell-all book, before being revealed as a charlatan and fraud himself. It’s a deeply philosophical and nonlinear exploration of art, authorship, and who the real phonies might actually be.

Episode 17 – Steven Spielberg

spielberg

Hold on to your butts!

Mike and Casey are stocking up on Reese’s Pieces and heading to Devil’s Tower to compare scars with sound engineer Scott Kramer (the Expendables, Transparent) and the composer of our show’s theme song, Todd Maxfield-Matsumoto! We’re talking about the filmmaker whose influence defined big budget cinema for an entire generation, Steven Spielberg!

From Jurassic Park to E.T., and Jaws to Raiders of the Lost Ark, few filmmakers have had the impact on movies as both an art and an industry like Spielberg. We discuss his evolution as a storyteller, director and producer. We debate his legacy among film purists, mainstream audiences and critics.

Music: 
“End Credits” from E.T. the Extra-Terrestrial  by John Williams

Previously titled: “A Childhood Sense of Wonder”