Fun Size Episode 12 – I’m Just Here for Ka-Ching!

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We continue our talk with Matt Goodman and Matthew Amster-Burton, and get into topics ranging from advertising characters transitioning into movie characters, and why the ultimate thing an actor can do is be photographed holding a skull.

We also get into weird meta-fiction in everything from Batman to Kurt Vonnegut to Will Ferrell movies, where the author themselves become characters directing the action.

Plus, we look at the renewed optimism — both in and about — Star Trek. Not only the return of the utopian aspirational science fiction future, but also how Justin Lin may have course-corrected a second movie franchise with Star Trek Beyond.

Episode 23 – Oh, God. Not Another Troi Episode!

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Space…the final frontier…

Mike and Casey reserve a table in Ten Forward and share a pot of “tea, early grey, hot” with Greg Hatcher of Comic Book Resources’ Comics Should Be Good! blog and game designer Ryan Chaddock. Our continuing mission: to launch a class-5 probe into the Neutral Zone, and to discuss the classic science fiction series, Star Trek: the Next Generation.

We discuss how it added to the Trek mythos, the tug of war over the show’s themes and writing, and how the classic series stands the test of times as a piece of optimistic science fiction in a current age of popular dystopias and the “grim and gritty” storytelling in genre film and television.

Make it so!

Music: 
“End Credits” from Star Trek: First Contact by Jerry Goldsmith

Episode 17 – A Childhood Sense of Wonder

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Hold on to your butts!

Mike and Casey are stocking up on Reese’s Pieces and heading to Devil’s Tower to compare scars with sound engineer Scott Kramer (the Expendables, Transparent) and the composer of our show’s theme song, Todd Maxfield-Matsumoto! We’re talking about the filmmaker whose influence defined big budget cinema for an entire generation, Steven Spielberg!

From Jurassic Park to E.T., and Jaws to Raiders of the Lost Ark, few filmmakers have had the impact on movies as both an art and an industry like Spielberg. We discuss his evolution as a storyteller, director and producer. We debate his legacy among film purists, mainstream audiences and critics.

Music: 
“End Credits” from E.T. the Extra-Terrestrial  by John Williams