We continue our chat with Sam Mulvey, and tear the still-beating heart out of the world of martial arts frauds and scam artists. From manufactured biographies involving hidden temples and battles to the death, to selling mail order pamphlets through comic book ads promising access to forbidden techniques, we look at the grey area between the real and the phony.
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“Do you think I should confess? To what? Committing masterpieces?”
In our latest Single Serving Selection, we’re joining librarian and artist, Kit Laika to turn our critical eyes to the final film directed by auteur Orson Welles, a conventions-defying documentary about frauds, fakers, and art forgery: F for Fake.
Welles delves into the world of two (or is it three?) spectacular liars. One is Elmyr de Hory, notorious art forger who paints replicas of masterpieces so convincing that they’re said be hanging in many prominent museums, and even the original artists claim to have created them. The other is Clifford Irving, the novelist and writer who exposed Elmyr’s forgeries in a tell-all book, before being revealed as a charlatan and fraud himself. It’s a deeply philosophical and nonlinear exploration of art, authorship, and who the real phonies might actually be.
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