Episode 28 – Cars Are Fucking Magical

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“The guys we’re after are professional runners. They like speed and are guaranteed to go down the hardest possible way, so make sure you’ve got your thunderwear on. We find ’em, we take ’em as a team, and we bring ’em back. And above all else, we don’t ever, ever, let them get into cars.”

Mike and Casey grab a couple of Coronas and fire up their NOS canisters, because it’s time to drive really, really fast. Joining us on this caper are screenwriter Matt Goodman and Matthew Amster-Burton of the Spilled Milk podcast.

Our mission, to dive into the adrenaline-pumping Fast and the Furious movie franchise, which has conquered the box office with some of the most over-the-top tributes to fast cars and badassery ever put on film.

We trace the series’ decade long evolution from a heist story about street racers to a globetrotting series of ensemble espionage thrillers that are a tribute to everything awesome and ludicrous.

Music: 
“Party Crashers” from Furious 7 by Brian Tyler

Fun Size Episode 11 – Why Would Daredevil Need a Flashlight?

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Mike and Casey sit down with Jeremy Whitman to try to wrap our brains about two strange things that defy description and even logic.

First is a used book Mike snatched up at work — possibly written by someone on an F.B.I. watch list — that is a far-too-comprehensive instructional manual for beating the shit out of people with a maglite flashlight.

And then Mike and Casey try to decompress from the experience of recently watching Nicolas Winding Refn’s bizarre new film, “The Neon Demon.”

Because…holy shit, you guys.

Episode 14 – Swing Away, M. Night

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What if there are no coincidences?

Mike and Casey count their sick days, stock up on hotdogs, and run from gently swaying trees with returning panelist and artist, Roslyn Townsend and Ask an Atheist‘s Rebecca Friedman! This month, we’re diving into the meteoric rise, and precipitious fall of a promising filmmaker whose career trajectory still confuses us, M. Night Shyamalan.

We discuss his brief absolute dominance of both Hollywood and the box office with the Sixth Sense and Unbreakable. We explore his current status as the cinematic butt of many jokes with the Happening and After Earth. And we look at how the writer-director’s legacy remains a subject of debate, speculation, schadenfreude and commiseration.

Music: 
Mr. Glass” from Unbreakable by James Newton Howard