Black Ops Episode 21 – Hunter Biden and the Holy Grail [CLIP]

We’re back with a new Black Ops podcast, exclusive to our Patreon supporters! This month, we’re back with Kit DeForge to continue the conversation into the cinematic!

Movie theaters are back! And in a dystopian world ravaged by doomsday viruses, we have been inside of them! For the first time in almost two years, we are going into public buildings with giant screens, big sound systems and comfy chairs for the explicit purpose of watching movies. How does the return to cinemas change the movie-going experience after 18 months of exclusively streaming movies on our computers, phones and televisions?

We reaffirm the joy of going to the movies cold — avoiding even teaser trailers, if possible and just letting the movie reveal itself to you without any prior expectation of the story.

We (briefly) touch on movies we’ve recently seen for the first time like Pig, The Green Knight, The Night House, The Suicide Squad, Personal Shopper, Paper Tigers, and Deep Blue Sea.

To unlock this episode in its entirety — and many episodes more! — just support us on Patreon with at least one measly dollar a month!

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Podcasta la Vista, Baby! Episode 19 – Sabotage

Leave no loose ends.

This month, we get scorpion neck tattoos and stock up on Axe body spray with returning guest Joe Preti of the House of Jack and Stan, to work through the needlessly ugly and mean-spirited crime ensemble: Sabotage

John “Breacher” Wharton is the commander of a hard-drinking, corrupt DEA strike force, who after a bloody shootout, decides to steal 10 million dollars from a drug bust. Now, having barely escaped an internal investigation, Breacher and his crew find that their stolen money is missing, and they are being murdered, one by one.

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Fun Size Episode 17 – Unforgiven Meets Little Miss Sunshine

We continue our chat with Joe Preti, and give our spoiler-iffic review of Hugh Jackman’s final turn as the mutant superhero Wolverine in Logan.

Have we hit peak superhero at the box office? Can a comic book adaptation transcend being just being a fun, popcorn crowd-pleaser, and become an emotionally potent piece of art? Is it time for the studios to stop bombarding us with constant references, callbacks and post-credit scenes, and just make a compelling story with powerfully written characters and strong performances?

Spoiler: The answer to all of these questions is yes.

Plus, we get derailed talking about Batman v. Superman: Dawn of Justice. And try really, really, really hard to say something nice about it. Oh, boy.

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