We sit down some more with Patrick Johnson to share our mixed feelings about Todd Phillips’ bleak and controversial Joker film.
We dig a bit into the film’s strong lead performance by Joaquin Phoenix and its very on-its-sleeve cinematic inspirations from films like Taxi Driver, Death Wish and the King of Comedy, and try to figure out whether it actually works or not. Does it transcend both its pastiche elements and its comic book origins, or is it a well-made and ambitious mess?
We chat a bit about Trek, the character of Captain Kirk and why it can be a gift when fictional characters age along with their actors.
We try to navigate the labyrinth of public domain laws to fruitlessly try to figure out what you can and cannot do with with new adaptations of Sherlock Holmes, the Lone Ranger and the Land of Oz, and whether being public domain has produced better material.
And finally, we wax nostalgic for a bygone time when “grim and gritty” was new, and when Alan Moore blew the comic industry’s collective mind by doing a post-modern adult interpretation of a British superhero aimed at children.
We continue our chat with Joe Preti, as things get a little bit loud.
In a discussion of recent adaptations, sequels and reboots, we look a bit at the then-impending end of HBO’s Game of Thrones, its prose origins and how it all seems to be heading towards a conclusion that can’t help but disappoint.
How should we interface with crossmedia adaptations of stuff we love? How upset should we get, when we feel they get it wrong?
And then things go completely off the rails, because we really, really, really fucking hate Nazis and don’t think they should be allowed to have a moment’s peace.
NOTE: This conversation was recorded before the airing of the last two episodes of Game of Thrones.
This month, we get scorpion neck tattoos and stock up on Axe body spray with returning guest Joe Preti of the House of Jack and Stan, to work through the needlessly ugly and mean-spirited crime ensemble: Sabotage
John “Breacher” Wharton is the commander of a hard-drinking, corrupt DEA strike force, who after a bloody shootout, decides to steal 10 million dollars from a drug bust. Now, having barely escaped an internal investigation, Breacher and his crew find that their stolen money is missing, and they are being murdered, one by one.
On one of our last Fun Sized episodes, Mike announced the first Radio vs. the Martians! “non-test.” It’s like a contest, just without prizes or promotion, because of our crippling fear that no one would actually enter it.
Thank you for proving Mike wrong!
So, we wanted to see your Frank Miller-style reinterpretations of childhood favorites and all ages media characters.
In our latest collections of panel outtakes and off-topic discussion, Mike and Casey are joined by Greg Hatcher and Ryan Chaddock for a chat about the Logan’s Run television show and the formulaic nature of 1970s science fiction.
We compare the various Bond actors on their ability to dispense post-murder puns, and the pros and cons of grit versus camp. We try to get to the bottom of why Roger Moore continued to play 007 into his senior years, why bleeding heart liberals like us enjoy violent right-leaning vigilante fiction, and why the hell the spinoff Baywatch Nights even existed.