[As we continue our show hiatus, it has been decided by the fine people who support us on Patreon that we are going to make public — or ‘declassify’ — one of our Patreon-exclusive Black Ops episodes every month. This month, our patrons have personally selected this episode to help fill the gap! Consider it a look back at the ‘Before Times’]
Original Patreon release date: August 17, 2016
We finally check in with our young friend, Sean Duncan — who had managed to go through life without ever having the ending of the 1973 dystopian science fiction movie, Soylent Green spoiled for him. Truly a remarkable feat.
He’s now seen it and lets us know what he thinks of it. Plus, we talk about the social politics of spoilers.
This month, we’re joined by Rebecca Friedman of Ask an Atheist to revisit the always thrilling and often problematic action-spy comedy that reunited Arnold with director James Cameron, True Lies!
To his wife Helen and their young daughter, Harry Tasker is a boring computer salesman, always away on one of his dull business trips. But Tasker has been living a double life as Harry Rinquest, globe-trotting secret agent and counter-terrorism operative for the secretive Omega Sector. But the lies separating Harry’s two lives crumble as Helen is suddenly thrust into a plot involving a Middle Eastern terrorist cell, stolen nuclear warheads, and a beautiful femme fatale. Now Harry must save the world, rescue his daughter and revive his troubled marriage.
Loosely based on a novel by Pierre Boulle, this science fiction masterpiece follows a cynical astronaut, played by Charlton Heston, who finds himself stranded on a planet where talking apes rule, and a species of mute, brutish humans are hunted for sport and scientific experimentation.
Mike dives into why this film will forever be his favorite, and how it successfully checks off all of his favorite things — from time travel to courtroom drama to gorillas with rifles — into a timeless piece of cinema.
Mike and Casey invade the Forbidden Zone with our theme song’s composer Todd Maxfield-Matsumoto and Comics Should Be Good!‘s Greg Hatcher. This month we’re talking about the classic film franchise: the Planet of the Apes!
We talk about the film’s long-lived popularity, its relevance as socially-aware science fiction, its totally insane comic book adaptations in the 1970s, and its subsequent reboots.
We also try to wrap our minds around how an ostensibly family-friendly adventure series includes bloody religious imagery, nudity, babies shot with handguns, and total nuclear devastation.
“The Hunt from the Planet of the Apes” by Jerry Goldsmith