As time bends and brains melts in the heart of the “Quar,” we’re joined by longtime friend of the show and writer for Emmys.com, David Gutiérrez… and things get weird.
We get into everything from circumcising our children to wanna-be movie theater comedians. We try to understand the confusing relationship of rockstar film critics Gene Siskel and Roger Ebert, and try to figure out when Bruce Willis and Harrison Ford stopped trying to be good at their jobs.
Finally, we try to retroactively fix the Rambo franchise (and action/revenge films in general) into something a bit less racist and burdened with conservative “white guy baggage.”
We’re back. This time we’re traveling to the world behind the silver screen with artistRoz Townsend to dissect the meta-fictional cult action/comedy movie that many at the time considered Arnold’s first box office flop, Last Action Hero.
Teenager Danny Madigan is the world’s biggest fan of the Schwarzenegger-helmed Jack Slater series of action movies. When a magic ticket literally transports him into Slater’s cinematic universe, he finds himself in an over-the-top world where a combination of bad puns and giant explosions can always save the day. But when one of the movie’s villains steals the ticket and discovers his own nature as a fictional character, Danny and Jack must follow him back into the real world, a place where, suddenly, the bad guys can win.
After nearly forty years of waiting, it’s finally happened. It’s time to inject ourselves with tracking devices and ready our homemade sextants. This month, we sit down with our good friend Todd Maxfield-Matsumoto to dive into the long-awaited team-up movie between Arnold Schwarzenegger and his longtime cinematic rival, Sylvester Stallone: Escape Plan.
Ray Breslin is a security expert who breaks out of maximum security prisons for a living. His skills are put to the test when he’s hired to escape from the ultimate black site detention center for the worst criminals on Earth, and staffed a corrupt warden and his violent costumed guards. But Breslin isn’t alone. His escape is aided a fellow inmate, played by our favorite Austrian badass, who thinks that teaming up with Breslin may be his ticket to freedom.
Even though he knows next to nothing about sports, our good friends Dave and Carol Brouillette have invited Mike to join them on their Hands Free Football podcast!
Mike mostly asks questions about the game, and test the limits of the hosts’ Seattle Sounders fandom with weird hypotheticals. And finally, we talk about a 1981 soccer movie starring Sylvester Stallone, Michael Caine and Pele…where they do battle with Nazis.
Mike and Casey sit down with Jeremy Whitman to try to wrap our brains about two strange things that defy description and even logic.
First is a used book Mike snatched up at work — possibly written by someone on an F.B.I. watch list — that is a far-too-comprehensive instructional manual for beating the shit out of people with a maglite flashlight.
And then Mike and Casey try to decompress from the experience of recently watching Nicolas Winding Refn’s bizarre new film, “The Neon Demon.”
“Nothing like it has ever been on Earth before. It came from another planet for the thrill of the hunt. It picked the wrong man.”
It’s time to return to the decade of Reagan with Jeremy Whitman of the Rated80s podcast, and look at one of Arnold’s most iconic action films, 1987’s Predator.
When an elite team of commandos embark on a rescue mission in the South American jungle, they find themselves the prey of an extraterrestrial big game hunter. One by one, they’re slaughtered until only one man remains.
And he’s not about to become the monster’s latest trophy.
When people talk about the great songs of all time, often neglected are theme songs from television and film. While most popular songs need only be likeable and catchy for their brief radio lifespan, a memorable theme tune is often expected to stay relevant for several years.
Some theme songs have even transcended the popularity of the films or shows they opened for, and have become permanent pieces of the pop culture landscape. Some become internet memes, some are used by sports and news programs as incidental music, and some even escape the boundaries of television and become hit songs in their own right.
That prompts this month’s question:
“What do you feel is the greatest and most iconic television or film theme song?”