Episode 56 – Vengeance (2022)

Find the story before it finds you.

This month, we’re joined by Chelsea Rustad chair of the Puget Sound Socialist Party and the author of Inherited Secrets: Memoir of America’s Groundbreaking Genetic Witness to  draw thematic connections between seemingly disparate elements and using that to get to the bottom of B.J. Novak’s directorial debut, Vengeance!

New Yorker writer Ben Manalowitz finds himself in West Texas after a late night phone call from Ty Shaw, the brother of a girl he used to hook up with. Ty’s sister Abilene has died of a drug overdose, but he is convinced she was murdered. And mistakenly believing that Ben and Abilene had a serious relationship, he wants Ben to help him avenge her death. Seeing this as a huge opportunity to build his career with a big true crime public radio podcast, Ben agrees to investigate. Ben smugly imagines a story about how tragedy and regret propel people in believing conspiracy theories to avoid accepting hard truths. But as he starts to dig, he begins to question: what if Abilene really was murdered?

Fun Size Episode 67 – When Did I Become an Old Man?

We’re back with Dave Brouillette to speak in defense of cinema’s great unsung wet blankets. The long-suffering adults left to pick up the pieces when the reckless hot shot protagonist with a disregard for human life blows up half of downtown or nearly starts World War III while they were saving the day or just looking cool.

Is there an age where your empathy naturally starts to gravitate to these people over the bad boy hero?

We also dig into the complicated emotions of watching popular media with jingoistic or reactionary politics — from Top Gun to 24 to Death Wish — both overt and implicit. Even the stuff we like can be a bit harrowing to watch at times.

Episode 52 – Django (1966)

He killed for gold… He killed for his woman… He killed for himself!

After a month off, we’re back! And this time, we’re dragging a coffin through the desert with the Camp Director and President of Camp Quest NorthWest, Michael Warbington, and diving into the notoriously violent 1966 spaghetti western by director Sergio Corbucci, Django!

When a mysterious gunslinger named Django drags a coffin into a tiny border town caught in the middle of a bloody war between Mexican paramilitary bandits and a Klan of hooded racist Southerners, he sets off a bloody chain of death, vengeance, robbery, and even more death. But is Django here to save this town, or will he just bury it under corpses in his quest for revenge?

Black Ops Episode 9 – You Are Not a Mistake [DECLASSIFIED!]

[As we continue our show hiatus, it has been decided by the fine people who support us on Patreon that we are going to make public — or ‘declassify’ — one of our Patreon-exclusive Black Ops episodes every month. This month, our patrons have personally selected this episode to help fill the gap! Consider it a look back at the ‘Before Times’]

Original Patreon release date: July 26, 2018

In what is an ultra-MEGA-sized two-and-a-half hour episode, we really run the gamut.

First, we talk about popular culture we loved as kids, but are afraid to revisit, because we fear it won’t survive adult scrutiny. In Mike’s case that means a series of epic fantasy novels that he suspects both really hold up in some way, and really really really don’t in other.

We then talk about the evolving nature of stand-up comedy and the divergent attitudes of comics like Jerry Seinfeld, and Hannah Gadsby — and how many older comedians seem to desire to be “above” politics or social commentary. Is that even possible or desirable?

Do genre stories like science fiction and superheroes have a responsibility to touch on questions of social and cultural importance? Why do the calls for political neutrality usually seem to mask a right-wing agenda?

We get into bad movie theater experiences that stretches Mike’s aversion to confrontation to the breaking point, and dive into the thorny issues of intellectual property and online piracy.

And finally, things get a bit emotional when we talk about how profoundly powerful and deeply intimate the new documentary about Mister Rogers is.

Mike Makes a Guest Appearance on Midnight…the Podcasting Hour!

Mike makes his first appearance on Ryan Daly‘s Midnight…the Podcasting Hour to wreak bloody vengeance upon a tale of DC’s favorite murdery ghost! We dissect Adventure Comics #435‘s 1974 horror tale, The Man Who Stalked the Spectre” by Michael Fleisher and Jim Aparo.

Hunting a gang of rabid killers, undead detective James Corrigan finds that both he and his ghostly alter-ego are being investigated by a relentless and naive magazine reporter. Add one-part Death Wish to one-part Freddy Krueger and mix liberally until the bad guys have to hosed off the walls!

Check it out!

Fun Size Episode 48 – The New Quarantine Titans

As time bends and brains melts in the heart of the “Quar,” we’re joined by longtime friend of the show and writer for Emmys.com, David Gutiérrez… and things get weird.

We get into everything from circumcising our children to wanna-be movie theater comedians. We try to understand the confusing relationship of rockstar film critics Gene Siskel and Roger Ebert, and try to figure out when Bruce Willis and Harrison Ford stopped trying to be good at their jobs.

Finally, we try to retroactively fix the Rambo franchise (and action/revenge films in general) into something a bit less racist and burdened with conservative “white guy baggage.”

Fun Size Episode 41 – Clown Ronin

We sit down some more with Patrick Johnson to share our mixed feelings about Todd Phillips’ bleak and controversial Joker film.

We dig a bit into the film’s strong lead performance by Joaquin Phoenix and its very on-its-sleeve cinematic inspirations from films like Taxi Driver, Death Wish and the King of Comedy, and try to figure out whether it actually works or not. Does it transcend both its pastiche elements and its comic book origins, or is it a well-made and ambitious mess?

The answer is…complicated.

Fun Size Episode 29 – Fighting the Adam West Fight

We jump back into the fray with Greg Hatcher, to talk debate the merits of Star Trek Discovery, the future of the franchise and what we want from a Trek property.

We also look at the trailer for the new streaming Titans series, and wonder why such a fun property would want to be dour and overserious. Why do so many fans –and even creators — just miss the point?

Black Ops Episode 9 – You Are Not a Mistake

In what is an ultra-MEGA-sized two-and-a-half hour episode, exclusive to our Patreon supporters, we really run the gamut.

First, we talk about  popular culture we loved as kids, but are afraid to revisit, because we fear it won’t survive adult scrutiny. In Mike’s case that means a series of epic fantasy novels that he suspects both really hold up in some way, and really really really don’t in other.

We then talk about the evolving nature of stand-up comedy and the divergent attitudes of comics like Jerry Seinfeld, and Hannah Gadsby — and how many older comedians seem to desire to be “above” politics or social commentary. Is that even possible or desirable?

Do genre stories like science fiction and superheroes have a responsibility to touch on questions of social and cultural importance? Why do the calls for political neutrality usually seem to mask a right-wing agenda?

We get into bad movie theater experiences that stretches Mike’s aversion to confrontation to the breaking point, and dive into the thorny issues of intellectual property and online piracy.

And finally, things get a bit emotional when we talk about how profoundly powerful and deeply intimate the new documentary about Mister Rogers is.

To hear this episode — and many more! — just support us on Patreon with at least one measly dollar a month!

Join us!

PATREON EXCLUSIVE: Black Ops Episode 8 – This Is Not Funny, You’re Not Funny, and I Don’t like You

In our newest episode, exclusive to our Patreon supporters, we talk more with Patrick Johnson about video game violence and how it does — and mostly doesn’t — apply to real life.

We take a long hard look at the trainwreck that is the filmography of Adam Sandler, why his movies are so ugly and stupid, and struggle to say something nice about him. We explore the wide pendulum swing of the quality of Netflix’s original programming. And finally we dig into their poorly realized original film, Bright and wonder what could have been.

To hear this episode — and many more! — just support us on Patreon with at least one measly dollar a month!

Join us!

Fun Size Episode 25 – Fuck You, It’s Hitler!

We continue our chat with friend Patrick Johnson to chat about some actor faces’ leave them with little choice but to be cast as villains, and how sometimes playing against type can be great.

We debate the merits of the new Duncan Jones Netflix feature, Mute. And then, we take a critical look at the new Bruce Willis-helmed Death Wish remake, and why this probably isn’t the best time to release it.

And finally, we are puzzled by the weird surge of conservative media voices and fans being horribly offended by what they see as the unfair treatment of Nazis, the KKK and racist characters as villains in popular entertainment. Our hot take? Nazis are fucking assholes.

Episode 26 – Vigilante Fiction

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You’ve gotta ask yourself one question: ‘Do I feel lucky?’ Well, do ya, punk?

Mike and Casey sit down with Pól Rua and Greg Hatcher of Comic Book Resources’ Comics Should Be Good blog, for a comprehensive and thoughtful discussion of urban crime and its many complicated causes.

And we talk about how pulp novels and grindhouse cinema recommends fixing these problems. Namely, angry middle-aged men with oversized handguns.

This month, we’re talking about urban vigilante fiction. Hyper-violent anti-heroes pumping thousands of rounds of ammunition into scumbags and drug dealers. From Dirty Harry to Death Wish; from the Punisher to Mack Bolan, we’re digging into the vigilante genre, and asking ourselves: why do bleeding heart liberals like us enjoy this stuff?

Music: 
“Getting Into Shape / Listen You Screw Heads / Gun Play” from Taxi Driver by Bernard Herrmann

Previously titled: “A Noir Carnival of Fright and Insanity”