In the shadow of our Batman discussion, Mike and Casey continue their discussion with Joe Preti and Pól Rua. We dig into the weapons-grade weirdness of comic book writer Grant Morrison, and why his work probably shouldn’t be your introduction to the medium.
We get into the contrast of revolutionary artistic experimentation vs. conventional competence that doesn’t reinvent the wheel.
We dive into the stick and meta-textual question of comic book continuity, and whether it’s better to hold a Crisis on Infinite Earths-style event to get rid of story elements you don’t want to keep, or whether it’s better to simply ignore them without explanation.
And finally, how exactly did the Ewoks perceive the Battle of Endor at the end of the Return of the Jedi?
Criminals are superstitious and cowardly lot, so Mike and Casey are joined in the Batcave to compare case notes with our friend Pól Rua, and first-time panelist, Joe Preti of the View from the Gutters podcast. Our topic, DC Comics’ Caped Crusader, Batman.
We dig into the character’s ridiculous versatility and unique ability to upend the normal rules for the suspension of disbelief. From the campy do-goodery of Adam West to Frank Miller’s dark avenger of the night, we discuss the wide range of tone and genre that the character has had in his seven decades of publication.
This is the podcast you deserve, but maybe not the one you need right now.
In this episode, he joins Ryan and fellow guest Tim Wallace to talk about Mike’s favorite DC character, western anti-hero Jonah Hex! We dig into the character’s publication history, his botched 2011 film adaptation, and his lasting appeal as the nastiest son of a bitch in the world.
From his classic status quo as an Old West bounty hunter to his brief sojourn into a Mad Max-style post apocalypse, Jonah Hex continues to be the most successful Western comic book character of all time.
It’s B-roll time, as we wrap up the Watchmen discussion with Sam Mulvey and Rob Kelly.
We get a little bit more into why Zack Snyder’s movies fail — and why they also don’t fail enough to be fun or interesting. We talk about Uwe Boll’s recent crowdfunding meltdown, Steve Ditko’s Objectivist superhero, Mr. A, and why you should be able to hear criticism of your favorite things like a grown-up.
We talk about the possible consequences of Disney’s purchases of Marvel and Lucasfilm, and wonder how truly terrifying it would be to have to repossess the American Nazi Party’s “Hate Bus.”
“Dog carcass in alley this morning, tire tread on burst stomach. This city is afraid of me. I have seen its true face.”
Mike and Casey are charging our electric cars, voting for Richard Nixon, and getting a booth in the Gunga Diner with Ask an Atheist‘s Sam Mulvey, and Rob Kelly of the Fire and Water Podcast. Our topic, the 1986 mini-series that has been labeled “the greatest comic book of all time,” Alan Moore and Dave Gibbon’s Watchmen.
We dig into the series’ aggressive and intentionally unflattering deconstruction of the superhero genre, the often uncomfortable morality and motivations of its characters, and the controversial and underwhelming 2009 Zack Snyder film adaptation.
*for those interested in donating to a great cause we mention on the podcast, please check out the Hero Intiative.
The Fire and Water Podcast is a really fun show and probably has the best interactive community of any podcast I’ve ever heard. They talk about their respective favorite characters in particular, and usually DC Comics in general. But this time they did something a little different.
Mike sat down via Skype with Rob Kelly – of the Aquaman half of the show – to talk about a weird and complicated issue: comic book continuity.
In short, Mike make the argument that comics would be all the better for dropping a line-wide shared universe where everything is supposed to fit together, and just letting the creators interpret the characters and stories in their own ways.
The new episode is now live and available for your listening pleasure! Give it a listen and let Mike know how wrong you think he is!