Black Ops Episode 15 – What Do You Think Alan Moore Did? [DECLASSIFIED!]

[As we continue our show hiatus, it has been decided by the fine people who support us on Patreon that we are going to make public — or ‘declassify’ — one of our Patreon-exclusive Black Ops episodes every month. This month, our patrons have personally selected this episode to help fill the gap! Consider it a look back at the ‘Before Times’]

Original Patreon release date: July 9, 2019

We chat a bit with Greg Hatcher about Trek, the character of Captain Kirk and why it can be a gift when fictional characters age along with their actors.

We try to navigate the labyrinth of public domain laws to fruitlessly try to figure out what you can and cannot do with with new adaptations of Sherlock Holmes, the Lone Ranger and the Land of Oz, and whether being public domain has produced better material.

And finally, we wax nostalgic for a bygone time when “grim and gritty” was new, and when Alan Moore blew the comic industry’s collective mind by doing a post-modern adult interpretation of a British superhero aimed at children.

Fun Size Episode 42 – Hey, I Know That!

We chat a bit with Tobiah Panshin about that great intangible that gets people’s ire up: Fan Service!

What is it? Why is it used as a pejorative? Is it ever a welcome thing? Why does it both delight and frustrate? Amuse and Annoy? We delve into the wherefores and whyfores and try to figure it all out.

Note: This episode was recorded before our last Fun Size episode in October, and we hadn’t seen Joker yet.

Black Ops Episode 15 – What Do You Think Alan Moore Did?

In our new episode, Greg Hatcher rejoins us for a free range conversation.

We chat a bit about Trek, the character of Captain Kirk and why it can be a gift when fictional characters age along with their actors.

We try to navigate the labyrinth of public domain laws to fruitlessly try to figure out what you can and cannot do with with new adaptations of Sherlock Holmes, the Lone Ranger and the Land of Oz, and whether being public domain has produced better material.

And finally, we wax nostalgic for a bygone time when “grim and gritty” was new, and when Alan Moore blew the comic industry’s collective mind by doing a post-modern adult interpretation of a British superhero aimed at children.

Black Ops Episode 13 – Some Stuff in the Basement

In our latest episode, we empty the basement.

Mike has been a dedicated, lifelong comics book and superhero fan. And he’s been thrilled to see these characters and stories play out on the big screen… or he did. So he sits down with Casey to talk about how superhero cinema — even most of the “good stuff” — is leaving him feeling pretty blase and desensitized.

It’s a conversation that’s been brewing for at least a year, and Mike wants to get all of it out of his system. He’s sick of complaining about Marvel and Zack Snyder on podcasts, so he attempts in one conversation to purge all of it out of his system in one go. One last time, for our sanity’s sake.

Pray for us.

Black Ops Episode 6 – The World Outside of Travis Bickle’s Car

In an episode, we look at the perhaps-necessary anachronism of period stories where the protagonist has strangely modern social attitudes. Does anyone really want the cowboy you play in a video game to be casually racist for the sake of accuracy?

And we look at the way that outlier characters like Jonah Hex, John Constantine, and the Punisher nominally co-exist in a shared universe that they’re mostly incompatible with.

Fun Size Episode 18 – A Nesting Doll of Weird

We continue our talk with Greg Hatcher and dive into the world of comic books and beyond!

We reminisce about Marvel’s 1970s misfit superhero team, the Defenders, and an absolutely batshit tale from writer Steve Gerber that includes stolen brains, absurd body horror, elves with guns, and the soul of an evil wizard trapped in the body of a baby deer!

Plus, we look at the strange turn that comic book scribe Mark Millar’s work has taken in his new series Huck, which is a radical departure from his regularly shocking, cynical and violent stories.

We talk about fan entitlement and the ups and downs of finite vs. ongoing storytelling.

Fun Size Episode 9 – Something, Something, Iron Man

Civil-War

We’re joined by Ask an Atheist‘s Sam Mulvey, who politely tolerates listening to Mike and Casey talk about Captain America: Civil War. And evidently, both of us take different sides.

And we ask the question, what are conspiracy theorists like in the Marvel and DC Universes? When you live in a world where the president can be — and has been — replaced by an alien duplicate, are there any ideas that left that can make you look like a crackpot?

We wax poetic about the 2004 Denzel Washington vigilante movie, Man on Fire, and how for many years, it was Mike’s Punisher movie.

And Mike says goodbye to legendary comic book creator Darwyn Cooke.

Episode 26 – Vigilante Fiction

death-wish-3-movie-poster-1985-1020540130

You’ve gotta ask yourself one question: ‘Do I feel lucky?’ Well, do ya, punk?

Mike and Casey sit down with Pól Rua and Greg Hatcher of Comic Book Resources’ Comics Should Be Good blog, for a comprehensive and thoughtful discussion of urban crime and its many complicated causes.

And we talk about how pulp novels and grindhouse cinema recommends fixing these problems. Namely, angry middle-aged men with oversized handguns.

This month, we’re talking about urban vigilante fiction. Hyper-violent anti-heroes pumping thousands of rounds of ammunition into scumbags and drug dealers. From Dirty Harry to Death Wish; from the Punisher to Mack Bolan, we’re digging into the vigilante genre, and asking ourselves: why do bleeding heart liberals like us enjoy this stuff?

Music: 
“Getting Into Shape / Listen You Screw Heads / Gun Play” from Taxi Driver by Bernard Herrmann

Previously titled: “A Noir Carnival of Fright and Insanity”