Black Ops Episode 11 – A Bacterial Infection That Helps You Fight Crime

In our latest episode, we join Sam Mulvey to dig into the question of adapting properties that we care about, and whether it’s important to even attempt fidelity to the source material.

From Watchmen to Dune; from Starship Troopers to Ready Player One. Is it sometimes the wisest choice to take a giant critical poop on a property when we translate them to a new medium? Plus, Mike saw Venom, and…yeah. We talk about what could have been  — a gloriously R-rated cannibal crime fighting movie.

Black Ops Episode 10 – Meet Your Parents. Make Money. Kill Hitler.

In our latest episode, a trip to a computer museum prompts a mind-breaking discussion about the mechanics of time travel in the Back to the Future movies.

When we return to a present that we’ve created by altering the past, are we killing our alternate selves and inserting ourselves into their lives? Was the elderly Biff Tannen’s master plan with the sports almanac actually pretty stupid? And is Biff in the new timeline George McFly’s “Reek”? What about how time travel works in Looper, Star Trek, Lost or in Marvel Comics?

All this and Mike tries to explain the chronology of the X-Men character Cable to Casey. Deep breaths, everyone!

Black Ops Episode 9 – You Are Not a Mistake

In what is an ultra-MEGA-sized two-and-a-half hour episode, we really run the gamut.

First, we talk about  popular culture we loved as kids, but are afraid to revisit, because we fear it won’t survive adult scrutiny. In Mike’s case that means a series of epic fantasy novels that he suspects both really hold up in some way, and really really really don’t in other.

We then talk about the evolving nature of stand-up comedy and the divergent attitudes of comics like Jerry Seinfeld, and Hannah Gadsby — and how many older comedians seem to desire to be “above” politics or social commentary. Is that even possible or desirable?

Do genre stories like science fiction and superheroes have a responsibility to touch on questions of social and cultural importance? Why do the calls for political neutrality usually seem to mask a right-wing agenda?

We get into bad movie theater experiences that stretches Mike’s aversion to confrontation to the breaking point, and dive into the thorny issues of intellectual property and online piracy.

And finally, things get a bit emotional when we talk about how profoundly powerful and deeply intimate the new documentary about Mister Rogers is.

Black Ops Episode 8 – This Is Not Funny, You’re Not Funny, and I Don’t like You

In our newest episode, we talk more with Patrick Johnson about video game violence and how it does — and mostly doesn’t — apply to real life.

We take a long hard look at the trainwreck that is the filmography of Adam Sandler, why his movies are so ugly and stupid, and struggle to say something nice about him. We explore the wide pendulum swing of the quality of Netflix’s original programming. And finally we dig into their poorly realized original film, Bright and wonder what could have been.

Black Ops Episode 7 – The Twilight of the Pamphlet

In this extra-sized episode, we talk more with View from the GuttersTobiah Panshin about the past, present and possible future of comic books as a medium and an industry.

We talk about how old Marvel letter columns reveal both angry letters from Tobiah’s mom, and how Wolverine was initially the least popular X-Men character. We react to the puzzling tirades about “SJWs” taking over superhero comics, and reflect on how we can balance the toxic attitudes of creators like Frank Miller and Dave Sim against their groundbreaking work and where he puts them in comics history.

And finally, we wonder if it’s time for American comic books to abandon the floppy monthly issue format and fundamentally change if Marvel and DC are going to survive for future generations.

Black Ops Episode 6 – The World Outside of Travis Bickle’s Car

In an episode, we look at the perhaps-necessary anachronism of period stories where the protagonist has strangely modern social attitudes. Does anyone really want the cowboy you play in a video game to be casually racist for the sake of accuracy?

And we look at the way that outlier characters like Jonah Hex, John Constantine, and the Punisher nominally co-exist in a shared universe that they’re mostly incompatible with.

Black Ops Episode 5 – What is the Zombie Version of Deep Space Nine?

In an episode, we continue to shake our canes at Hollywood blockbusters, spin offs, crossovers and shared universes, as Mike explains his rocky relationship with Fear the Walking Dead.

What motivates the creation of a spin-off? Are they doomed to be pale imitations? Is the massive blockbuster franchise bubble heading for a burst?

Black Ops Episode 4 – Death is Kinda Stupid

In a bonus “Black Ops” episode, we sit down with Sean Duncan and Sam Mulvey to dig into the concept of immortality.

From Doctor Who to Highlander, we look at the trope of the ageless person who mourns their own lack of death and ask each other, is the trope of sad immortal nothing but bullshit?  Shouldn’t never dying actually be pretty great?

We get into armchair biology, the continuity of consciousness, loneliness, the ability (or inevitability) of change over time, theological questions, muse on transhumanism and the ability to opt out of immortality at any time.

Does death serve any useful purpose? Are we really the same person throughout our lives? Would you really want to live for thousands of years. Would you really be sad or grumpy if you had all the time in the world? Aren’t vampires really kind of stupid?

Who, truly, would want to live forever?

Black Ops Episode 3 – Sorry, Richard Roeper

We finally check in with our young friend, Sean Duncan — who had managed to go through life without ever having the 1973 movie Soylent Green spoiled for him.

He’s now seen it and lets us know what he thinks of it. Plus, we talk about the social politics of spoilers.

Black Ops Episode 1 – Real Sociopaths Work for Goldman Sachs

Here is the very first of our special, off-the-books “Black Ops” episodes, recorded back in January of this year with guest Greg Hatcher!

We dig into how morally abhorrent a fictional protagonist can be and not lose your sympathy. And catapulting past our ethical thresholds, we look at the horrific morality of Jack Bauer’s Bush-era enthusiastic torture-palooza!

Plus, we throw a little love at the anti-fascist satire of Paul Verhoeven’s Starship Troopers.