Episode 57 – Sorcerer (1977)

WANTED. Four men willing to drive a cargo of death to escape a life in hell.

This month, we’re going on a jungle suicide mission with Camp Director and President of Camp Quest NorthWest, Michael Warbington, and plunging into the gritty, globetrotting William Friedkin classic about desperate men looking for a way out of purgatory: 1977’s Sorcerer!

Four men exiled in a corrupt South American country, hiding from their pasts and unable to afford the bribes necessary to escape their fates, are given an opportunity to get out. An American getaway driver, a Palestinian militant, a disgraced French investment banker, and a Mexican hitman must drive two trucks across 218 miles of narrow mountain roads and dense jungle, to deliver a cargo of dangerously unstable dynamite to put out a raging oil fire. But if the rotten bridges, armed bandits, and leaking nitroglycerine don’t kill them, growing mistrust and despair just might.

Episode 52 – Django (1966)

He killed for gold… He killed for his woman… He killed for himself!

After a month off, we’re back! And this time, we’re dragging a coffin through the desert with the Camp Director and President of Camp Quest NorthWest, Michael Warbington, and diving into the notoriously violent 1966 spaghetti western by director Sergio Corbucci, Django!

When a mysterious gunslinger named Django drags a coffin into a tiny border town caught in the middle of a bloody war between Mexican paramilitary bandits and a Klan of hooded racist Southerners, he sets off a bloody chain of death, vengeance, robbery, and even more death. But is Django here to save this town, or will he just bury it under corpses in his quest for revenge?

Episode 48 – Sin City

“I grab myself one last lungful of night air. Then I trade it in for a smoky soup spiced with sweat and vomit and booze and blood. I know the flavor well.”

After more than two years, we’re back with another panel episode! And this month, we’re tossing back some cheap booze at Kadie’s Saloon and making some bad decisions with Joe Preti, and Kit Laika, and get our filthy mitts on Frank Miller’s hyper-stylized, two-fisted neo-noir comics franchise that defined all things grim and gritty in the 1990s: Sin City!

After a rise to comics superstardom with Daredevil and Batman, Frank Miller turned his trademarked hard-boiled style up to eleven with a series of interconnected hyperbolic crime stories, set in the fun house mirror world of Basin City, a desert town populated entirely by lowlifes, mobsters, prostitutes, corrupt businessmen, assassins, creeps, killers, crooked cops, dirty politicians, and one hulking unkillable brute named Marv.

Illustrated in a stunning highly contrasted black and white, Sin City was a perfect distillation of everything comics readers loved and hated about the comics of a controversial and often problematic master of the craft.

Music: 
“Cool Vibes” from Film Noire by Kevin MacLeod

Black Ops Episode 9 – You Are Not a Mistake [DECLASSIFIED!]

[As we continue our show hiatus, it has been decided by the fine people who support us on Patreon that we are going to make public — or ‘declassify’ — one of our Patreon-exclusive Black Ops episodes every month. This month, our patrons have personally selected this episode to help fill the gap! Consider it a look back at the ‘Before Times’]

Original Patreon release date: July 26, 2018

In what is an ultra-MEGA-sized two-and-a-half hour episode, we really run the gamut.

First, we talk about popular culture we loved as kids, but are afraid to revisit, because we fear it won’t survive adult scrutiny. In Mike’s case that means a series of epic fantasy novels that he suspects both really hold up in some way, and really really really don’t in other.

We then talk about the evolving nature of stand-up comedy and the divergent attitudes of comics like Jerry Seinfeld, and Hannah Gadsby — and how many older comedians seem to desire to be “above” politics or social commentary. Is that even possible or desirable?

Do genre stories like science fiction and superheroes have a responsibility to touch on questions of social and cultural importance? Why do the calls for political neutrality usually seem to mask a right-wing agenda?

We get into bad movie theater experiences that stretches Mike’s aversion to confrontation to the breaking point, and dive into the thorny issues of intellectual property and online piracy.

And finally, things get a bit emotional when we talk about how profoundly powerful and deeply intimate the new documentary about Mister Rogers is.

Black Ops Episode 9 – You Are Not a Mistake

In what is an ultra-MEGA-sized two-and-a-half hour episode, we really run the gamut.

First, we talk about  popular culture we loved as kids, but are afraid to revisit, because we fear it won’t survive adult scrutiny. In Mike’s case that means a series of epic fantasy novels that he suspects both really hold up in some way, and really really really don’t in other.

We then talk about the evolving nature of stand-up comedy and the divergent attitudes of comics like Jerry Seinfeld, and Hannah Gadsby — and how many older comedians seem to desire to be “above” politics or social commentary. Is that even possible or desirable?

Do genre stories like science fiction and superheroes have a responsibility to touch on questions of social and cultural importance? Why do the calls for political neutrality usually seem to mask a right-wing agenda?

We get into bad movie theater experiences that stretches Mike’s aversion to confrontation to the breaking point, and dive into the thorny issues of intellectual property and online piracy.

And finally, things get a bit emotional when we talk about how profoundly powerful and deeply intimate the new documentary about Mister Rogers is.

Fun Size Episode 4 – A Discussion About Sam’s Feelings

madmax

In the first of two Fun Size discussions this month, we sit down with Rebecca Friedman and debate the merits and popularity of post-apocalyptic fiction and video games, and why absent panelist (and spouse) Sam Mulvey will probably never discuss it on the show.

Is the genre inevitably juvenile, and does its recent popularity speak ill of us as a society? Disagreement follows.

[NOTE: Some Fallout 4 spoilers]

Radio vs. the Mailbag: You’re No Daryl Dixon!

mad-max-road-warrior-blu-rayThrow a rock in any direction, and you’ll hit someone’s zombie apocalypse survival plan. It’s astounding how ubiquitous it’s become. Everyone these days seems to have an elaborate strategy worked out to stay alive and thrive in the event that civilization falls in the wake of plagues, zombies, robot uprisings, alien invasions, natural disasters, nuclear war or even dragons.

There are even now magazines dedicated to this topic, and I’m not entirely sure how serious they’re intended to be.

But the truth is, it doesn’t matter how high your level is in Fallout: New Vegas, or how many issues of the Walking Dead you’ve read, or how many times you’ve seen the Road Warrior. Most people in the post-apocalypse are kinda…y’know…dead.

That prompts this month’s Mailbag question:

“Be Honest. How would you really fare in a post-apocalyptic setting?”

Here’s what our hosts had to say…

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