“Normally, I’d hang you, but I figure your actions warrant something really cruel and unusual.”
In our premiere episode, Mike and Casey dig into two Jonah Hex stories from two different eras.
First, we look at the character’s first appearance in 1972’s All Star Western #10. In a story by John Albano and Tony DeZuniga, entitled “Welcome to Paradise.” When famed disfigured bounty hunter Jonah Hex is hired by the business leaders of Paradise Corners to deal with a violent gang of killers, he gets a chilly reception from the the local townsfolk he’s protecting.
Then we revisit the first issue of Hex’s most recent relaunch in 2005’s Jonah Hex (vol.2) #1 by Jimmy Palmiotti, Justin Gray, and Luke Ross, titled, “Giving the Devil His Due.” When Hex is hired by a wealthy man to find his kidnapped son, he wanders into an ugly world of underground dog fighting and child murder.
JONAH HEX CONFIRMED KILL COUNT: 23 (+23 this episode)
” He was a hero to some, a villain to others… and wherever he rode people spoke his name in whispers. He had no friends, this Jonah Hex, but he did have two companions: one was death itself… the other, the acrid smell of gunsmoke.“
In our series prologue, Mike and Casey get into their mutual love of a largely unknown comic book character: DC’s western anti-hero, Jonah Hex.
We get into the character’s origins, his lasting appeal and why this merciless bounty hunter with a hideous facial scar has outlived the genre that spawned him.
Mike and Casey sit down with Jeremy Whitman to try to wrap our brains about two strange things that defy description and even logic.
First is a used book Mike snatched up at work — possibly written by someone on an F.B.I. watch list — that is a far-too-comprehensive instructional manual for beating the shit out of people with a maglite flashlight.
And then Mike and Casey try to decompress from the experience of recently watching Nicolas Winding Refn’s bizarre new film, “The Neon Demon.”
“Nothing like it has ever been on Earth before. It came from another planet for the thrill of the hunt. It picked the wrong man.”
It’s time to return to the decade of Reagan with Jeremy Whitman of the Rated80s podcast, and look at one of Arnold’s most iconic action films, 1987’s Predator.
When an elite team of commandos embark on a rescue mission in the South American jungle, they find themselves the prey of an extraterrestrial big game hunter. One by one, they’re slaughtered until only one man remains.
And he’s not about to become the monster’s latest trophy.
Mike and Casey sit down with Kinsey Burke, Patrick Johnson, and Sam Mulvey to bat around a contentious and complicated topic: adaptations, reboots and remakes.
How faithful should a work be to its source material when it’s adapted from one storytelling medium to another? What happens when it deviates over time? What about when a beloved past work is rebooted in ways we cannot stand? Is it really worth getting worked up about, now that the floodgates are open?
And can a bad adaptation transcend the source material and become a wonderful hypnotic disaster? Is it time to make peace with changes to Game of Thrones, and the Ghostbusters remake?
Also, Mike fights — against all odds — to protect a young friend from a 43 year-old movie spoiler.
“I was an adventurer like you, then I took an arrow in the knee.”
Mike and Casey completely abandon their quests to consolidate their pixelated criminal empires and save the kingdom from dragons, so that they can play darts and brew potions with video game journalist and YouTuberKinsey Burke, and returning panelist Patrick Johnson.
Our non-essential side quest? To dig into the massive phenomenon of Open World Video Games. From Fallout 3, to Skyrim, to Grand Theft Auto V, there is an video games where the storyline is optional and immersive player-initiated exploration are their biggest sell points.
What is the appeal of a game that lets you make your own agenda in a fictional city, or epic fantasy realm or post-apocalyptic future? What are the limits of a game that aspires to let you be and do anything you want?
We’re joined by Ask an Atheist‘s Sam Mulvey, who politely tolerates listening to Mike and Casey talk about Captain America: Civil War. And evidently, both of us take different sides.
And we ask the question, what are conspiracy theorists like in the Marvel and DC Universes? When you live in a world where the president can be — and has been — replaced by an alien duplicate, are there any ideas that left that can make you look like a crackpot?
We wax poetic about the 2004 Denzel Washington vigilante movie, Man on Fire, and how for many years, it was Mike’s Punisher movie.
And Mike says goodbye to legendary comic book creator Darwyn Cooke.
We’re back with a dive into a mythic time — in more ways than one — with Ask an Atheist‘s Sam Mulvey to test our endurance against the herculean labor of Arnold Schwarzenegger’s first starring role, in 1969’s Hercules in New York!
Bored of his idyllic life on Mount Olympus, Greek demigod Hercules provokes his father Zeus into sending him to modern day Earth. There, he beats up longshoremen and bullies college athletes. He eventually becomes a successful professional wrestler, and battles both the machinations of the gods and gangsters alike.
You’ve gotta ask yourself one question: ‘Do I feel lucky?’ Well, do ya, punk?
Mike and Casey sit down with Pól Rua and Greg Hatcher of Comic Book Resources’ Comics Should Be Good blog, for a comprehensive and thoughtful discussion of urban crime and its many complicated causes.
And we talk about how pulp novels and grindhouse cinema recommends fixing these problems. Namely, angry middle-aged men with oversized handguns.
This month, we’re talking about urban vigilante fiction. Hyper-violent anti-heroes pumping thousands of rounds of ammunition into scumbags and drug dealers. From Dirty Harry to Death Wish; from the Punisher to Mack Bolan, we’re digging into the vigilante genre, and asking ourselves: why do bleeding heart liberals like us enjoy this stuff?
Mike and Casey continue their chat with Rebecca Friedman and Joe Preti, and they chew the fat about porno Mahjong, how the weirdest things end up at used bookstores, and why we just can’t stop thinking about nunchucks.
We also dig into the contrast of Tom Cruise and Keanu Reeves, why Mike really really really doesn’t like the new Ghostbusters trailer, and why people keep getting Superman wrong.
Mike and Casey manage to escape dog heaven and set out for the Great Valley. Their traveling companions? Ask an Atheist‘s Rebecca Friedman and Joe Preti of the View from the Gutters comic book podcast. This month we’re talking about America animator, Don Bluth.
From his apprenticeship at the Walt Disney company, to striking out on his own with critical darling in the Secret of NIMH, to conquering the box office alongside Steven Spielberg with An American Tail and the Land Before Time.
We dig into Bluth’s trademark darker tone, his craftsmanship and attention to detail, his move into the world of video games, and how for a brief period of time…he managed to beat Disney at their own game.
In the wake of injury, scheduling issues, and technical problems, we will sadly not be able to give you our regularly scheduled panel episode. However, we can give you another Fun Sized dose of off-topic nonsense!
We sit down with Rebecca Friedman — again — for a talk about weird local insurance ads, superhero cartoons starring M.C. Hammer, and forthcoming return of Star Trek to television.
And seriously, don’t bring your ninja weapons on the White House tour, bro.