Episode 48 – Sin City

“I grab myself one last lungful of night air. Then I trade it in for a smoky soup spiced with sweat and vomit and booze and blood. I know the flavor well.”

After more than two years, we’re back with another panel episode! And this month, we’re tossing back some cheap booze at Kadie’s Saloon and making some bad decisions with Joe Preti, and Kit DeForge, and get our filthy mitts on Frank Miller’s hyper-stylized, two-fisted neo-noir comics franchise that defined all things grim and gritty in the 1990s: Sin City!

After a rise to comics superstardom with Daredevil and Batman, Frank Miller turned his trademarked hard-boiled style up to eleven with a series of interconnected hyperbolic crime stories, set in the fun house mirror world of Basin City, a desert town populated entirely by lowlifes, mobsters, prostitutes, corrupt businessmen, assassins, creeps, killers, crooked cops, dirty politicians, and one hulking unkillable brute named Marv.

Illustrated in a stunning highly contrasted black and white, Sin City was a perfect distillation of everything comics readers loved and hated about the comics of a controversial and often problematic master of the craft.

Music: 
“Cool Vibes” from Film Noire by Kevin MacLeod

Episode 44 – Fight Club

“We’ve all been raised on television to believe that one day we’d all be millionaires, and movie gods, and rock stars, but we won’t. We’re slowly learning that fact. And we’re very, very pissed off.”

In the first Single Serving Selection in over a year, we are Jack’s complete lack of surprise. We’re stealing human fat from dumpsters and peeing into fancy soup with friend of the show Patrick Johnson. This month, we’re breaking the first two rules, because we’re talking about 1999’s Fight Club.

Is this David Fincher dark comedy a brilliant and scathing satirical deconstruction of toxic masculinity and how disaffected men can be drawn into extremism and violence? Or is it a shallow and pretentious edgelord glorification of the same thing? Or is it somewhere in between? We dig into the cult film we all adored as young twenty-somethings and dissect it under the harsh light of 2021.

Podcasta la Vista, Baby! Episode 21 – Jingle All the Way

Two Dads, One Toy, No Prisoners.

Put that cookie down! Now! Because, this month, Christmas is coming early! We’re getting into the holiday spirit with librarian Kit DeForge, to unwrap Arnold’s holiday comedy Jingle All the Way!

Workaholic salesman Howard Langston hasn’t been the world’s greatest dad. Habitually breaking his promises to spend time with his young son, he vows to make it up to him with a coveted Turbo Man action figure for Christmas. The only problem is that Turbo Man is the hottest toy of all time, and Howard has waited until the last minute. Now, he must contend with an unhinged rival father, an amorous neighbor, stampeding shoppers, a gang of bootlegger Santas, and a vicious pet reindeer, in order to find the elusive toy in time for Christmas, and finally keep a promise to his son.

Episode 19 – Quentin Tarantino

Tarantino

 We’re gonna get medieval on your asses!

This month, Mike and Casey pile into a booth at Jack Rabbit Slim’s to debate the merits of tipping our server with Sci-Fest L.A.‘s Matt Goodman and writer and artist Roslyn Townsend. Our topic of discussion: Quentin fucking Tarantino.

We dig into the writer-director’s visual style, his penchant for creating violent films with compelling characters, and his talent for resurrecting dead careers. From Pulp Fiction and Jackie Brown, and from Kill Bill to Django Unchained, Tarantino and his movies are awash with copious profanity, critical praise and controversy.

Music: 
“Misirlou” from Pulp Fiction  by Dick Dale and the Del Tones

Previously titled: “Let’s Do a Bunch of Coke and Make a Movie”