Tag Archives: quentin tarantino

Episode 53 – The Blues Brothers

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“It’s 106 miles to Chicago, we’ve got a full tank of gas, half a pack of cigarettes, it’s dark, and we’re wearing sunglasses.”

This month, we’re getting the band back together with the Station Manager of KTQA 95.3 FM in Tacoma (and former Illinois resident) Sam Mulvey. We’re on a mission from God to drive our car through John Landis’ anarchic car chase musical guest-starring a Mt. Rushmore of classic R&B/soul artists from Aretha Franklin to James Brown: The Blues Brothers!

Released from a 3-year prison sentence, “Joilet” Jake Blues is reunited with his brother Elwood and learn that the Catholic orphanage they grew up in is about to be shuttered unless it can pay an outstanding $5,000 property tax bill in the next eleven days. Now on a mission from God, the Blue Brothers must reunite their ne’er-do-well rhythm and blues band to put on a big show, no matter how many shopping malls they have to drive through. But first they must outrun a rival country western band, a gang of neo-Nazis, a heavily armed mystery woman, and seemingly every cop in the state of Illinois.

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Episode 48 – Sin City

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“I grab myself one last lungful of night air. Then I trade it in for a smoky soup spiced with sweat and vomit and booze and blood. I know the flavor well.”

After more than two years, we’re back with another panel episode! And this month, we’re tossing back some cheap booze at Kadie’s Saloon and making some bad decisions with Joe Preti, and Kit Laika, and get our filthy mitts on Frank Miller’s hyper-stylized, two-fisted neo-noir comics franchise that defined all things grim and gritty in the 1990s: Sin City!

After a rise to comics superstardom with Daredevil and Batman, Frank Miller turned his trademarked hard-boiled style up to eleven with a series of interconnected hyperbolic crime stories, set in the fun house mirror world of Basin City, a desert town populated entirely by lowlifes, mobsters, prostitutes, corrupt businessmen, assassins, creeps, killers, crooked cops, dirty politicians, and one hulking unkillable brute named Marv.

Illustrated in a stunning highly contrasted black and white, Sin City was a perfect distillation of everything comics readers loved and hated about the comics of a controversial and often problematic master of the craft.

Music: 
“Cool Vibes” from Film Noire by Kevin MacLeod

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Fun Size Episode 57 – The SJW/C.H.U.D. Alliance

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We’re joined again by Tobiah Panshin to dig into some movie talk. Is there really a hard divide between popcorn blockbusters and what Martin Scorsese calls “cinema”? Will the shadow of the pandemic change anything about movies going forward?

And we talk about the oddity of Zack Snyder’s 4-hour cut of the Justice League film, and how it inexplicably exists beyond all probability — both through the world-changing crises, scandals and events that even made its creation possible, and probably made critics and audiences kinder to it.

CORRECTION: Ava Duvernay turned down directing Black Panther, not The Eternals.

Join our official RvtM Discord server!

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Fun Size Episode 46 – Quarantine Titans

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We’re back! Sort of…

In a special remotely-recorded quarantine edition of the show, we sit down with Joe Preti of the View from the Gutters comic book podcast to pine for long lost sources of food, like the cafeteria at Joe’s work and a couple of local sandwich shops.

We ask: has the quality of McDonald’s food gotten worse since we were kids, or were we blinded by a child’s epicureal standards? Has junk food in general gotten worse?

We also talk about how good Adam Sandler movies could be if only he tried. And Batman v. Superman comes up, and… we just can’t not.

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Black Ops Episode 16 – An Infinite Loop of a Second Act

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In our new episode, we talking about endings!

We chat a bit about Henry Cavill taking on the lead role in a Netflix Witcher series, and why Disney should make one less live-action remake and do some good in the world!

And finally, we look at recent pop culture endings — Game of Thrones, Avengers: Endgame, Deadwood, the Walking Dead comic book, and the Fox X-Men franchise — and look ahead to future endings with Quentin Tarantino’s to-be-produced tenth and final film.

What stuck the landing, and what left us cold?

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Fun Size Episode 13 – A Digital Effects Orgasma-Ganza

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sodense

The bad news is that due to a technical snafu, we won’t be able to share a new full episode with you this month. The good news is that we were joined in the studio by Sam Mulvey for a wide ranging conversation about random goodness — and badness.

We dive into a talk about why we’d like to see filmmaker Quentin Tarantino tackle a science fiction film, and the recent wrongful framing of Pepe the Frog as a racist icon. We also talk about why it’s just weird to pull your pants all the way down to pee at a urinal, and  we compare the highs and lows of Zack Snyder and Frank Miller.

Plus, Sam hates movies! We look at the state of current Hollywood blockbusters and ask: does every theatrically-released movie in the world have to be so damned big?

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Episode 19 – Quentin Tarantino

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Tarantino

 We’re gonna get medieval on your asses!

This month, Mike and Casey pile into a booth at Jack Rabbit Slim’s to debate the merits of tipping our server with Sci-Fest L.A.‘s Matt Goodman and writer and artist Roslyn Townsend. Our topic of discussion: Quentin fucking Tarantino.

We dig into the writer-director’s visual style, his penchant for creating violent films with compelling characters, and his talent for resurrecting dead careers. From Pulp Fiction and Jackie Brown, and from Kill Bill to Django Unchained, Tarantino and his movies are awash with copious profanity, critical praise and controversy.

Music: 
“Misirlou” from Pulp Fiction  by Dick Dale and the Del Tones

Previously titled: “Let’s Do a Bunch of Coke and Make a Movie”

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